Four Color Separations

These are proof pages of four-color separations from the printer of the May 7, 1966 cover of Business Week that Joseph Papin illustrated. It was rolled up in the back of a cabinet with three other of his Business Week covers. This one is my favorite because of all the color and how interesting the color and the line drawings look separated from one other. The little video following these three photos of the drawing shows the additional color separations provided to Business Week by the Bingham Photo Engraving Company.

I found the following information pertaining to McGraw-Hill, publisher of Business Week:

“In the specialized business magazine field, the shift to offset was also spectacular. By 1970, about two out of three of these magazines were products of offset and McGraw-Hill, the largest publisher of business magazines, had converted all its output (about 40 magazines) to offset. While many mass circulation consumer magazines were still able to use rotogravure and letterpress advantageously because higher initial costs could be countered by other advantages, even for these circulation giants the advantages of faster presses, improved cold type composition, and more durable plates have resulted in the increasing use of offset.” Arthur T Turnbull, A. T. & and Baird, R. N. (1975) The graphics of communication: Typography, layout, design, 3rd edition, p. 280)

I believe that this was done on a rotogravure press – this is the cover sheet for all the proof pages; following this are the instructions on the bottom of the proof sheet from the press so that they are legible.


Comments

4 responses to “Four Color Separations”

  1. Janine Papin Avatar
    Janine Papin

    Fascinating!

    1. Thank you for commenting, I very much agree!

  2. Brenda Scatterty Avatar
    Brenda Scatterty

    This is so interesting, to see how it was actually done! Such a process! I love seeing the color sheet and the b/w drawings separate and see how they come together! Good post!

    1. I too Brenda, the way that the colors look when they are completely separated, and then as they are getting added in and finally when the lines appear and bring it all together.

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